Thunderbolts Movie Review: A Bunch of Misfits Nearly Take You Back to Marvel's Glory Days, But Stop Short of Greatness

Thunderbolts Movie Review: A Bunch of Misfits Nearly Take You Back to Marvel's Glory Days, But Stop Short of Greatness

Hollywood’s churn of superhero flicks keeps grinding, and Marvel’s latest, Thunderbolts, dropped into theaters on May 2, 2025, with a promise to shake up the formula. This ragtag crew of antiheroes—think Black Widow’s Yelena Belova, the Red Guardian, and a mysterious new face called Sentry—aims to pull the Marvel Cinematic Universe back to its punchy, crowd-pleasing roots. It comes close, real close, but doesn’t quite stick the landing.

The film, directed by Jake Schreier, leans hard into its underdog vibe. It’s got a gritty edge, pulling from the comics’ darker corners where mercenaries and reformed baddies clash. Florence Pugh, reprising her role as Yelena, carries the emotional weight like a pro, her sharp wit cutting through the chaos. David Harbour’s Red Guardian, a washed-up Soviet super-soldier, brings laughs and a surprising lump in the throat. Lewis Pullman’s Sentry, a fresh addition, adds a wild-card energy that keeps you guessing. The ensemble, rounded out by Sebastian Stan’s Bucky Barnes and Hannah John-Kamen’s Ghost, crackles with chemistry, like a bar fight waiting to happen.

Marvel Studios announced the project back on June 9, 2022, hyping it as a bold pivot for the Multiverse Saga. Filming wrapped in Atlanta by August 2024, with a budget reportedly north of $200 million. The story follows this motley squad, tasked by Julia Louis-Dreyfus’ Valentina Allegra de Fontaine to handle missions too dirty for the Avengers. It’s a setup that screams potential—misfits forced to gel, double-crosses lurking, and a shadowy government agenda pulling strings.

The action delivers. A standout sequence in a crumbling Eastern European fortress blends bone-crunching fights with slick CGI that doesn’t overwhelm. The score, by Lorne Balfe, hits the right notes of tension and swagger. On April 16, 2025, Marvel released a final trailer showcasing the film’s blend of humor, heart, and high stakes, teasing a plot tied to mental health and redemption. It’s heavier than your average cape flick, and that’s no accident—Schreier leaned into real-world grit, drawing from consultants on trauma and recovery, per a Disney press release.

But here’s where it stumbles. The pacing drags in the second act, bogged down by expository flashbacks that feel like Marvel’s old habit of overexplaining. Some plot threads—especially around Sentry’s origins—dangle without resolution, likely bait for a sequel. The big third-act twist, while shocking, leans on a trope that’s starting to creak in the MCU. It’s not a flop, not by a long shot, but it’s missing that extra spark that made Iron Man or Captain America: Civil War feel like events.

Box office projections from April 28, 2025, pegged Thunderbolts for a $90 million domestic opening weekend, solid but not earth-shattering. Critics, per a Disney media kit, praised the cast and visual flair but noted the script’s unevenness. The film’s R-rating, a first for Marvel, amps up the violence and language, which lands well for adults but might sideline younger fans.

Thunderbolts is a gutsy swing, a reminder Marvel can still muster some of its old magic. It’s got heart, grit, and a crew you’ll root for, even if they’re a mess. But greatness? That’s just out of reach.

The movie runs 2 hours and 14 minutes, rated R, and opened globally on May 2, 2025. It’s playing in 4,500 theaters across North America, with IMAX and 3D options available. Advance ticket sales hit $25 million by April 30, 2025.